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From
Via del Tritone we enter Via della Stamperia, which leads
to the Trevi Fountain, certainly the most famous and spectacular
fountain in Rome, made even more famous by the night-time
wading of Anita Ekberg in Federico Fellini's film "La
dolce vita'. The fountain is the terminai part of the Vergine
aqueduct built by Agrippa, a general of Augustus, in 19 B.C.
to bring the water coming from the Salone springs, 19 km away,
to Rome. Legend, illustrated in the fountain's upper panels,
has it that it was a young girl who showed Agrippa's thirsty
soldiers where a copious spring gushed forth. Hence the name
of the aqueduct which, running underground for a long stretch,
is the only one in Rome that has remained in use almost uninterruptedly
from the time of its construction to the present day. This
is the aqueduct that supplies the water to the monumental
fountains of the historic centre, from Piazza Navona to Piazza
di Spagna.
The name "Trevi", on the other hand, allegedly
derives from the word Trivium, a meeting point of three streets
that form this little widened area.
lt is truly surprising to see such a large fountain in such
a small square, but the artist Nicola Salvi, who created it
between 1732 and 1762, carefully studied the way to increase
the sensation of marvel. Indeed, he set it almost entirely
against the face of Palazzo Poli, preceding it with a little
balconied scene, almost as if it were a theatre! The artist
was, however, disturbed during his work by the continuous
criticism expressed by a barber who had his shop in the square.
To shut him up, during one night Salvi created the large basin,
familiariy calied the "Ace of Cups", situated on
the right-hand balustrade, which completely blocked the view
of the fountain from the shop. Everyone knows that, if they
want to return to Rome, they have to throw a coin into the
basin, but be careful: for the dream to come true, you have
to toss it over your shoulder with your back to the fountain!
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| Chiesa dei
Santi Vincenzo e Anastasio |
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Across from the fountain it is possible to admire the
lively facade of the Chiesa dei Santi Vincenzo e Anastasio.
The building, which was a Papal Parish for centuries,
preserves the hearts and lungs of 22 popes who died
in the Quirinal Palace standing nearby: from Sixtus
V, who died in 1590, to Leo XIII, who died in 1903.
Pope Pius X abolished this custom which had prompted
Belli, the famous Roman dialect poet, to call the church
"museo de' corate e de' ciorcelii" (pluck
museum), from the popular term used to refer to the
viscera of butchered animals.
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